Control Room Workstation

     The approach to my studio is to have a more of an analog mentality to in the box mixing. The Roll Music Folcroms are 32 channels of passive summing that does not provide gain or variable options for individual channels. This means every time I run the session out to be summed, we end up with a balanced and perfectly recalled setup, just as you would with an completely in the box mix; but this way, with the tone and width of a mix that is spread out on a console. And since it is a passive system, I have the option to run the mix through different external amplifier circuitry such as Chandler EMI, API, Neve, Helios, Focusrite or Mäag amplifiers to find the best suited console style for the mix.

System

  • Pro Tools HDX with Pro Tools Ultimate

  • Macbook Pro 10-Core M1 Max w/ 64GB RAM

  • MacPro 3.5 GHz 6-Core Intel Xeon E5 w/ 64GB RAM

  • Apogee Big Ben

  • Lynx Aurora 16

  • Avid HD I/O 16x16

  • Burl B2 Bomber

  • 32 channels of Roll Music FOLCROM Summing

    
Plugins

  • Universal Audio UAD quad core

  • Fab Filter

  • Arturia

  • Slate

  • Oeksound

  • Izotope

  • Avid

  • Sound Toys

  • Waves

  • Valhalla

  • Acustica

  • Soft Tube

  • Melodyne

  • Audio Movers

  • Sound Theory

Monitoring       

  • PMC 7.1.4 setup with twotwo 8 LCR, Ci-65 sides and rears, Ci- 35 overs

  • Crown DCI Amps

  • ProAc Studio 100

  • Bryston 4B

  • 2x 12” sub

  • Grace Design M908 for immersive

  • Crane Song Avocet for stereo

  • MIT Terminator 2 Speaker Cables

  • Hearback Cue System

Pre Amps

  • Chandler TG2

  • API 512B x3

  • Helios Type 69 Pre x2

  • Focusrite ISA 2

  • FMR Audio RNP

  • Mäag PreEQ x2

  • Warm Audio WA-412 x3

    
Compression

  • Dramastic Audio Obsidian

  • LA-3A x2

  • Distressor x2

  • Hairball 1176 Rev D

  • DBX 160x x2

  • FMR RNC x3

  • ADR F769X-R Vocal Stresser

Other Outboard

  • Maag EQ x2

  • Harrison 32 EQ

  • Api 560 x2

  • Imperical Labs Deresser x2

  • SPL 4ch Transient Designer

  • Moog 500 Series Ladder Filter

  • Aphex 204 Harmonizer

  • Yamaha SPX-90

  • Roland RSP-550

Mics

  • Lawson L-U47

  • Heiserman Audio Type-19 x2

  • Heiserman H47 FET

  • Soyuz SU-013M x2

  • Gauge Audio 87 x2

  • AEA R-88

  • AEA R-92 x2

  • Royer R-121

  • Beyer-dynamic M-88

  • Hand Built DIY Omni MIc x2

  • Sure SM-7b

  • Sure SM-58

  • Sure B52

  • Sure SM57 x4

  • AKG D-112

  • Sennheizer MD 421 x3

  • EV 635A x3

  Instruments

  • Fender Rhodes 73 (late 1973…best months of production)

  • Novation Ultranova Synth

  • Juno 60

  • Alesis Micron

  • Moog Sub Phatty

  • Korg DW5000 Synth

  • Arp Quartet

  • Yamaha CS-10 Synth

  • Electron RYTM Drum Machine

  • Roland TR-8 Drum Machine

  • Tama 5pc w/ Zildjian A Custom, K Custom, and Wuhan Cymbals

  • Roland TD-9 Electronic Kit

  • Fender 62’ Tele Custom

  • Fender 2019 Stratocaster

  • Fender 2017 P Bass

  • Martin 1970 D-28

  • Epiphone Master Built Acoustic

  • Fender 62’ Bassman

  • Peavey Classic 30

  • Fender Deluxe 85 Red Knob

  • Marshall JCM-900

  • Orange Tiny Terror

  • Worshiper 4x12 16ohm Cab w/ Weber Legacy 65w speakers

  
Pedals

  • Z-Vex Fuzz Factory

  • Earthquaker Palisades

  • Gremlin Worshiper RAT

  • JHS Morning Glory

  • SansAmp GT2

  • Earthquaker Afterneath

  • Diamond Compressor PSG Custom

  • Univox Micro-Fazer

  • Electro Harmonix Holy Grail

  • Dunlop Cry Baby Classic

  • Fulltone Supa-Trem

  • Boss GE-7 EQ

  • Boss XT-2 Xtortion

  • Boss TU-2 Tuner

  • T.C. Electronic Polytune

  • Peterson Strobe